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Studies in Iconology
Studies in Iconology accepts original and interdisciplinary contributions in the broader field of art theory and art history. The series addresses an audience that seeks to understand any aspect and any deeper meaning of the visual medium along the history of mankind in the fields of philosophy, art history, theology and cultural anthropology.
Studies in Iconology is a peer-reviewed series.

General editor:
Barbara Baert
1Baert B.
Nymph. Motif, Phantom, Affect
2Baert B.
Late Medieval Enclosed Gardens of the Low Countries
3Baert B.
'Locus Amoenus' and the Sleeping Nymph
4Baert B.
Nymph. Motif, Phantom, Affect. Part II
5Baert B.
Kairos or Occasion as Paradigm in the Visual Medium
6Baert B.
In Response to Echo
7Baert B.
Revisiting Salome's Dance in Medieval and Early Modern Iconology
8Imorde J.
Carlo Dolci. A Refreshment
9Efal A.
Habitus as Method
10Baert B.
About Stains or the Image as Residue
11Silver L.
Rembrandt and the Divine
12Bauer D.
13Baert B.
What about Enthusiasm? A Rehabilitation
14Baert B., Heremans S.
15Lamers H.
Afterlife of Antiquity