Attributions are central questions in art history. Since the 
      introduction of new examination methods such as radiography, infrared 
      photography and reflectography, conventional art history has undergone 
      major changes. Technical examinations can provide additional arguments 
      for attributing works of art to individual artists or their workshops. 
      However, technical studies often also reveal complex working methods, 
      while new scientific imagery sometimes challenges accepted attributions 
      and instigates reconsiderations of traditional attributions. The XIXth 
      symposium for the Study of Underdrawing and Technology in Painting which 
      was held in Bruges on 11-13 September 2014 was dedicated to technical 
      studies of paintings: problems of attribution (15th-17th centuries). It 
      focussed on the various ways in which technical studies can provide 
      answers to the often complex issue of attribution and will discuss the 
      challenges that art historians face in proposing conclusive theories. 
      
This book captures the variety of twenty-four papers 
      presented at the symposium.
    
	  	
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